Review: ‘The Bad Batch’ Season 3 Episode 14 “Flash Strike”

In Season 3, Episode 14 of the Disney Plus series The Bad Batch, titled “Flash Strike,”  the narrative unfolds at Mount Tantiss. Dr. Royce Hemlock (Jimmi Simpson) is alerted by Commander Scorch (Dee Bradley Baker) regarding the arrival of the Bad Batch (Dee Bradley Baker) in Weyland. The chief scientist orders fighters to monitor airspace and take down Clone Force 99. This forces the Bad Batch to abandon their ship with Rampart before it crashes due to damage. Despite the Imperial success in shooting down the Bad Batch’s ship, the blaster fire is heard by everyone, including Omega (Michelle Ang), who realizes that her brothers have found Tantiss. Following the crash, the Bad Batch and Rampart make their way through Weyland’s jungle and encounter a monster and multiple stormtroopers as they journey to the science facility. Although the Bad Batch escapes the stormtrooper patrol, Rampart is captured and taken back to Tantiss for interrogation as a prisoner.

The science vessel, from which the Bad Batch’s ship detached, arrives at Tantiss, but is thoroughly inspected to prevent any security breaches in the science facility. Echo, who was on the vessel, takes down a stormtrooper and steals their armor to infiltrate the facility alone in order to locate Omega. During his infiltration, he is confronted by Dr. Emerie Karr (Keisha Castle-Hughes), who offers her aid after becoming disillusioned with the Empire’s experiments on children.

In the vault, Omega quickly realizes that her brothers have found her and devises a plan to escape alongside the other Project Necromancer test subjects: Eva (Olwyn M. Whelan), Jax (Ivan Sinitsin), Sami (Naiya Singh Padilla), and Bayrn (Shelby Young). The children help distract and stall the sample droids while Omega uses the weak walls of her room to open a pathway into an elevator shaft. From there, she navigates through the ventilation shafts in search of an escape route. She discovers that the Empire is keeping the Zillo Beast, the same creature that attacked the Bad Batch in Season 2, captive. This presents an opportunity for Omega, as the Zillo Beast could serve as a distraction to cover her and the other children’s escape. However, it also poses a danger, as the creature devours energy as food, potentially leaving the Bad Batch and the children stranded in Weyland if their ships lose all their energy.

Omega finds the Zillo Beast

Season 3, Episode 14 of The Bad Batch, titled “Flash Strike,” directed by Nate Villanueva and penned by Brad Rau, dives into the heart of the conflict between the Bad Batch and the Empire, offering a compelling narrative filled with action, tension, and emotional depth.

The episode also delves into the moral complexities of the Empire’s actions, particularly through the character of Dr. Emerie Karr, played by Keisha Castle-Hughes. Karr’s disillusionment with the Empire’s experiments on children adds depth to the story and raises important questions about the ethical implications of the Empire’s pursuit of power.

Furthermore, the episode explores the dynamics within the Bad Batch itself, particularly the bond between Omega and her brothers. Omega’s determination to escape captivity and reunite with her family drives much of the episode’s emotional arc, culminating with the discovery that she can aid her brothers in fighting the Imperials of Mount Tantiss with the Zillo Beast. If the theory that Omega is Force-sensitive is correct, it would mean she could use Ventress’ teachings of Force bonding with a creature to her advantage. 

Overall, “Flash Strike” delivers a thrilling and thought-provoking installment of The Bad Batch, further deepening the series’ exploration of its characters and the ever-evolving conflict between the forces of good and evil in the galaxy.

Rating: 9/10

Ryan Seun Woo Kwon: I am currently pursuing a major in Film & Media with a minor in History & Creative Writing at the University of California, Berkeley. Growing up in Portland, Shanghai, and Seoul has given me a multicultural perspective that I use to view social and historical events. With a strong passion for TV and film, wish to explore opportunities in narrative development, story writing, and production.
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